GRANTS / AWARDS

2021 Inductee, Hall of Champions, North American Hand Papermakers

2018 The Pollock-Krasner Foundation Grant

2020    Poison Well, Manifest Gallery, Cincinnati, OH, finalist

2020   TRUTH = LIES, 621 Gallery, Tallahassee, Fl

2026 

America Today, Voices in Contemporary Print, The Print Center, Philadelphia

2026 Who is America at 250?, SFBC, San Francisco, CA


2025 

Fresh Takes, 3SArtspace, Portsmouth, NH

Connections in Practice, Concordia College, Minneapolis, MN

 Radical Alterations, National Museum of Women in the Arts, DC

2024

Crossing the Line: The Passport Re-Imagined. Bainbridge Art Museum

The Embodied Press, Kala Art Institute, Berkley, CA

Radical Alteration, San Francisco Center for the Book (traveling)

Power of Resistance and , CEPA Gallery, Buffalo, NY

2023

Bodies, Bodies, Bodies,  Pen & Brush Gallery, New York

Contemporary Printmaking, WAAM, Woodstock, NY, Robert Angeloch Award

Ink, Press, Repeat, William Patterson University, NJ

2022

New York Public Library's Treasures, The Polonsky Exhibition, NYPL, NYC

We the People, Puffin Foundation Gallery, Teaneck, NJ

Photography and the Holocaust, Then and Now, CEPA Gallery, Buffalo, NY

2021

Crossroads, Hunterdon Art Museum, Clinton, NJ

2021 Mohawk Hudson Regional, Albany Gallery­­, Albany, NY

2020

You Know Me, I'm the Other, Art Alive Gallery, Delhi, India

Your Day & Your World, Ringling School of Art, Sarasota, Fl

Infinite Uncertainty, Opalka Gallery, Albany, NY

2019

Politics of Place, Center for Book Arts, New York
Presidential Collection, University of Toledo, Toledo, Ohio
Engaged Editions, Brooklyn Army Terminal, New York
2018
Studio Apartment, Gallery Madison Par, New York, NY
Raising Together, University of Utah, Salt Lake City
Creative Climate Awards, Taipei Economic and Cultural Office, NY (winner)
Wonder, Morgan Conservatory, Cleveland, OH
In Between, Austtellungsraum Eulengasse, Frankfurt, Germany
Paper/Print: American Hand Papermaking, 1960s to Today, International Print Center New York, NY
Feminine Spectrum​, VAE Gallery, Raleigh, NYC
One Year of Resistance, Untitled Space, New York, NY
2017 
Conspire, Museum of Fine Arts, Florida State University, Tallahassee, FL
What is that leaping in your chest?, Collar Works Gallery, Troy, NY
Mohawk Hudson Regional, Albany Institute of History and Art, NY
Artists as Innovators, Ulster County Community College, NY
Pulp as Portal: Socially Engaged Hand Papermaking, Center for Book Arts, NYC 
The World After January 20, 2017, Vassar College, Poughkeepsie, NY
(in)visible: book art and process, Arts Council of Greater Baton Rouge, LA
Mohawk Hudson Regional, Albany Museum of History and Art, NY
2016
Change Agents, Lamont Gallery, Phillips Academy, NH
Conspire, Museum of Fine Arts, Florida State University, Tallahassee, FL
Text and Image, Duffy  Larson Gallery, Broward College, Davie, Fl 
2015
The Stories We Tell, Dorsky Museum of Art, SUNY New Paltz, NY
Kentler Celebrates 25, Kentler International Drawing Center, New York, NY 

Iniquities/Inequities

Your Leader Could Be A Tyrant, How to Tell

8 Must-See Hudson Valley Art Shows After Upstate Art Weekend 2026, Taliesin Thomas, Chronogram, July 4, 2026

Why Tatana Kellner's Inequity is One of This Summer Must-See Exhibits, Inside+Out, July 10, 2026

Your Leader Could Be A Tyrant, interview with Jay Sugarman, September 9, 2020

Your Leader Could Be A Tyrant, Caitlin Stafanson, The New Hampshire, vol.110, No 39, p.11, October 1, 2020

(Re)Covered History: KaKe Art in the Studio, WSW blog,  March, 2018  
Chronogram, Arts, Culture, Spirit, cover  & p 16, February 2017
Artists Respond to States of Emergency, Nick Kahler, Burnaway, March 13, 2014
On exhibit: ‘Out of Print’ at the library, Amy Griffin, timesunion.com, January 3, 2014
Art: Training a light on ‘’women’s work, Edward Sozanski, philly.com, February 19, 2012
Requiem for September 11, Artvoice, September 12, 2011
Artworks With Pages to Be Turned and Savored, Benjamin Genocchio, New York Times, March 12, 2009
Arts Overview, Abby Luby, Roll Magazine, Vol. 12, August 10 – September 10, 2008
In the Spotlight, Chronogram, July 2008
In Memory: An Examination of Tatana Kellner’s Paired Artists’ Books, Fifty Years of Silence, Norah Hardin Lind, Journal of Artists’ Books, Spring 2008
Putting a human face on the unfathomable, Paul Smart, Ulster Publishing’s alm@nac, August 31, 2006
Eye witnesses in Fall River, The Providence Journal, March 23-26, 2006
Domestic Policy, Washington City Paper, April 15, 2005Dream imagery, Ulster Publishing’s alm@nac, September 25, 2003
Flexible Images: Handmade American Photography 1969-2002, Robert Hirsch, Exposure, vol.36:1, 2003
Frequencies, Poughkeepsie Journal, Enjoy Entertainment Guide, January 31, 2003
Personal History, Richard Huntington, The Buffalo News, December 6, 2002
Public Art Installation to be Unveiled at CEPA Gallery Ceremony, Mary Summers, Buffalo Niagara Convention & Visitors News, November 12,2002
Picturing Ourselves, Connie Gaasch, Artvoice, November 28, 2002
War Memorial, Richard Huntington, The Buffalo News, September 13, 2002
Banners carry imprint of tragedy, The Buffalo News, September 10, 2002
Requiem for September 11, Robert Hirsch, Forever Young, September 14, 2002, Vol. 14 / No. 9
Harpers, August 1998, published photo
Artists’ books at Rice Gallery, Peg Churchill Wright, The Daily Gazette, 5/7, 1998
Memories of the Holocaust, Kate Jaimet, Telegraph Journal, October 20, 1997
Tatana Kellner revisite l’histoire, Acadie Nouvelle, October 17, 1997
Vernissage de “Revisiting History”; Temoin de l’Holocauste, Steve Hachey, Lefront, October 15, 1997A colorful jumble, Sarah Stack, Taconic Newspapers, May 15, 1997
Fading voices pay tribute to victims of Holocaust, Sally Vallongo, The The Toledo Blade, May 4, 1997
FLC photography show reflects Holocaust, Judith Reynolds, Fort Lewis Herald, March 20, 1997
Historic Mirages, Karen Norklun, Woodstock Times, February 6, 1997 
Defining a Woman’s Place in the World as the Very Center of Life, Vivien Raynor, The New York Times, 9. 20, 1996
Revisiting History at Floating Gallery, Matt Bellan, The Jewish Post & News, Winnipeg, Manitoba, Vol.2 No. 13, 1996
Artists’ Bookkeeping, Hank Burchard, The Washington Post, January 6, 1995
Intriguing reads, Charlie Langdon, The Durango Herald, May 11, 1995
A Provocative Photonominal, Karen Rene Merkle, Times Publishing, Feb 23, 1995
Women photographers exhibit captures life through the lens, Suan Hajec, Michigan Women’s Times, 1995
Havel in Babel, Martha McWilliams, Washington City Paper, February 3, 1995
Books Revised With Vision, Mary Mc Coy, The Washington Post, January 28, 1995
Exhibition contains images of Holocaust, Western Herald, January17, 1995 
Means of Transmission, Darkness and Light, and the Second Generation, Beth Haber, The Binnewater Tides, Fall 1994
Artists’ works speak volumes, Sunday News-Journal, Daytona Beach, Florida, April 17, 1994
A Message About Intolerance, Scott Scanlon, The Post-Standard Oswego, March 5,1994

Show explores brief history of time, CeCe Bullard, Richmond Times Dispatch, January 28, 1994